Like
Baudelaire,
Rops was one of the "last satanists" of the century.
The woman, death, Satan are to be found to the same extent in both
their poems and art. Here death is represented by a woman, her face
with empty eye-sockets, a grimacing smile. But the figure is not
fully a "skeleton", her feminine attributes, as Karl-Joris Huysmans
once said "places favourable to the madness of men",
are still visible.
We can also discern several characteristics of Rops' style, the hat
with flowers, the long black gloves, the hitched up skirt, the
charming slipper decorated with a pompon ..., a complete
language of desire which many others were to follow, from
Yvette Gilbert to Gilda.